Strategi Pengenalan Candi Muaro Jambi melalui Ornamen Arca Candi pada Kain Tradisional
DOI:
https://doi.org/10.29408/jhm.v11i2.28639Keywords:
cultural recognition; Muaro Jambi Temple; traditional fabricAbstract
Muaro Jambi Temples is the largest cultural heritage site in Southeast Asia, holding immense historical and cultural potential. However, the low number of visitors and limited engagement from the younger generation indicate the need for innovative approaches to promote the site. This research aims to develop a strategy for applying the ornamental sculptures of Muaro Jambi Temples to traditional textiles as a medium to introduce and promote Jambi’s cultural heritage. The ornaments selected include sculptures of Prajnaparamita, Dwarapala, Makara, and motifs from the main temples such as Candi Tinggi, Candi Gumpung, and Candi Gedong. The research method employed is research and development (R&D) using a design thinking approach, which involves the stages of empathize, define, ideate, prototype, and test to create motifs that preserve cultural authenticity while being suitable for textile application. The process includes interviews with artisans, observation of traditional textile production, analysis of key challenges, brainstorming of simplified ornamental designs, prototype development, and phase evaluation with artisan and the local community. The resulting fabric prototype featuring ornamental motifs was tested during a cultural event at Muaro Jambi Temple and received positive feedback from visitors as an effective medium for introducing the history and cultural heritage of Jambi. This study demonstrates that the application of sculptural ornaments to traditional textiles not only enhances the aesthetic value of the product but also reinforces cultural identity and increases public interest in Jambi heritage. Government support and stronger collaboration with local artisan communities are crucial to ensure that these ornament inspired textiles become a widely recognized and sustainable cultural symbol.
References
Alfarez, S. (2024). Analisis Konsep Sejarah (Bernard Lewis) dan Filsafat Strukturalisme: Kajian Makna Simbolis Temuan Candi di Situs Batujaya. Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan, 10(2), 220-234. https://doi.org/10.29408/jhm.v10i2.25174.
Andriani, M. (2021). Variabel Anteseden Minat Membeli Kain Tradisional Indonesia: Eksplorasi Peran Identitas Global. Jurnal Akuntansi Keuangan dan Bisnis, 14(1), 171-180. https://jurnal.pcr.ac.id/index.php/jakb/article/view/4609.
Anra, Y., & Sadzali, A. M. (2017). Kajian Kepuasan Pengunjung Obyek Wisata Warisan Budaya Kawasan Candi Muara Jambi Sebagai Cagar Budaya Nasional Dan Kandidat Warisan Dunia. Titian: Jurnal Ilmu Humaniora, 1(2), 219-223. https://doi.org/10.22437/titian.v1i2.4229.
Basiroen, V. J., Wahidiyat, M. P., Suhendra, F. M., & Carolina, D. (2023). Bridging Tradition and Innovation: Exploring Design Thinking for Lasem Batik Tulis Motif Creation. In E3S Web of Conferences (Vol. 426, p. 02080). EDP Sciences. https://doi.org/10.1051/e3sconf/202342602080.
Bora, M. S., & Bisht, S. (2023) Adaptation of Katarmal Sun Temple Motifs on Textile Product. https://scientificresearchjournal.com/wp-content/uploads/2023/11/home-science-vol-10-A-357-361.pdf.
Ciptandi, F., Rosyidah, S., & Budiarti, A. A. (2021). Pengaplikasian teknik batik dan pewarna alami mahoni pada kain tenun gedog Tuban bertekstur. Dinamika Kerajinan dan Batik, 38(1), 1-12. https://doi.org/10.22322/dkb.v36i1.4149.
Dahmiri, D., & Bhayangkari, S. K. W. (2022). Pengaruh Promosi Visual, Fasilitas Dan Daya Tarik Wisata Terhadap Minat Berkunjung Wisatawan Di Candi Muaro Jambi. Jurnal Manajemen Terapan dan Keuangan, 11(04), 1069-1079. https://doi.org/10.22437/jmk.v11i04.21858.
Dahmiri, S. E., & Fitriaty, M. D. (2023). Pengembangan Wisata Kawasan Candi Muaro Jambi. Penerbit Adab.
Dyahwati, W., Lodra, I. N., & Supranto, H. (2020). Transformasi Candi Rimbi dalam Motif Batik Sebagai Edukasi Budaya Lokal Kabupaten Jombang. Haluan Sastra Budaya, 4(1), 119-139. https://jurnal.uns.ac.id/hsb/article/view/40867
Haristianti, V., Andriana, A., & Murdowo, D. (2024). Implementasi Konsep Space Saving Pada Perancangan Desain Interior Ruang Kepala Sekolah Paud. Studi Kasus: TKA/TPQ Al-Hijrah, Cimahi. Bernas: Jurnal Pengabdian Kepada Masyarakat, 5(1), 1004-1012. https://doi.org/10.31949/jb.v5i1.7662.
Hidayat, I. K., Sunarto, P., & Guntur, T. (2014). Mengenal Relief, Mudra dan Stupa Candi Borobudur untuk Anak-Anak Usia 9-12 Tahun melalui Edugame. Journal of Visual Art and Design, 6(1), 58-68. DOI: https://doi.org/10.5614/itbj.vad.2014.6.1.6.
Inandiak, E. D. (2022). Mimpi-Mimpi dari Pulau Emas/Dreams from the Golden Island/Rêves de l'île d'Or. Ilustrasi oleh Menapo Perkumpulan Rumah, Dono Heri, & Hian Tan Swie.
Indaryanti, R. B., Harsono, H., Sutama, S., Murtiyasa, B., & Soemardjoko, B. (2025). 4D Research and Development Model: Trends, Challenges, and Opportunities Review. Jurnal Kajian Ilmiah, 25(1), 91-98. https://doi.org/10.31599/na7deq07.
Indrayani, N. (2021, June). Dampak Sosial Ekonomi Situs Cagar Budaya Candi Muaro Jambi Tahun 1976-2013. In Prosiding Seminar Nasional Humaniora (Vol. 1, pp. 134-152). http://conference.unja.ac.id/SNH/article/view/125/106.
Izza, N. A., Adi, A. M. W., Mahanani, N., Resiyani, W., & Pratama, A. S. G. (2020). Pengembangan potensi batik berbasis tinggalan arkeologi di kelurahan legok kota jambi. E-Dimas: Jurnal Pengabdian kepada Masyarakat, 11(4), 573-579. https://doi.org/10.26877/e-dimas.v11i4.6626
Khairurrizqi, K., Rahmansyah, A., & Hendiawan, T. (2015). Perancangan Grahpical User Interface AplikasiSi Jambe" Sebagai Media Pembelajaran Artefak Candi Muaro Jambi". eProceedings of Art & Design, 2(1). https://openlibrarypublications.telkomuniversity.ac.id/index.php/artdesign/article/view/2414/2288.
Kusumowardhani, P., Indrianti, P., & Rachmawaty, R. (2022, December). Improving Batik Depok Motif Design By Implementing Color Trend Forecast In Ajbura Trajumas Indonesia. In Proceedings of the First Jakarta International Conference on Multidisciplinary Studies Towards Creative Industries, JICOMS 2022, 16 November 2022, Jakarta, Indonesia. http://dx.doi.org/10.4108/eai.16-11-2022.2326054.
Manus, J. (2012). Makna Motif Ornamen Pada Waruga di Minahasa. Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, 7(3), 369-390. https://doi.org/10.33153/dewaruci.v7i3.1033.
Meilania, M., & Febrianti, H. (2019). Pelestarian candi muaro jambi sebagai benda cagar budaya dan pariwisata di provinsi jambi. Journal V-Tech, 2(1), 99-109. https://media.neliti.com/media/publications/286629-pelestarian-candi-muaro-jambi-sebagai-be-0c8871bf.pdf.
Miles, M. B., & Huberman, A. M. (1994). Qualitative data analysis: An expanded sourcebook. Sage.
Mulianingrum, N. Relief Candi Majapahit Sebagai Sumber Ide Pengembang Desain Batik Majapahit. TEXFILE Journal of Textile, 2(2), 1-12. https://jurnal.uns.ac.id/texfile/article/view/33182/21860.
Nur, F. (2023). Pengaruh Daya Tarik Kawasan Wisata Candi Muaro Jambi Terhadap Pendapatan UMKM Sekitarnya dengan Minat Kunjungan sebagai Variabel Intervening. Ekonomis: Journal of Economics and Business, 7(1), 531-540. https://doi.org/10.33087/ekonomis.v7i1.1023.
Pamungkas, S., & Agustiningsih, N. (2018). Candi Muaro Jambi: Kajian Cerita Rakyat, Arkeologi, Dan Pariwisata. Istoria: Jurnal Ilmiah Pendidikan Sejarah Universitas Batanghari, 2(2), 49-62. DOI: http://dx.doi.org/10.33087/istoria.v2i2.40
Patimah, S. (2023). Identifikasi Busana Pada Arca Batu Tokoh Buddha Di Daerah Aliran Sungai Batanghari. Skripsi. Universitas Jambi.
Plattner, H. (2016). Institute of Design at Stanford. Guía: Una Introducción al Design Thinking, 4-9. https://repositorio.21.edu.ar/handle/ues21/14439.
Rahayu, Y. F. (2017). Ornamen Candi Penataran Blitar Sebagai Ide Dasar Penciptaan Motif Batik Tulis Busana Pesta Wanita. Seni Kerajinan-S1 (e-Craft), 6(1), 38-50. https://journal.student.uny.ac.id/index.php/ecraft/article/viewFile/6263/6043.
Sany, N., & Alisa, V. (2024). Pelestarian Batik Kendal melalui Implementasi Motif Kembang Kendil pada Desain Coffee Table. Judikatif: Jurnal Desain Komunikasi Kreatif, 6(1), 131-138. https://doi.org/10.35134/judikatif.v6i1.163.
Saragi, D. (2018). Pengembangan tekstil berbasis motif dan nilai filosofis ornamen tradisional Sumatra Utara. Panggung, 28(2), 161-174. https://core.ac.uk/download/pdf/229637606.pdf.
Septiningsih, W. (2017). Perancangan Desain Komunikasi Visual Filosofi Surjan Jogja Menggunakan Metode Design Thinking. Invensi, 2(1), 51-76. https://doi.org/10.24821/invensi.v2i1.1807.
Setiawan, R. (2019). Kinara Kinari Pada Relief Candi Badut Sebagai Ide Penciptaan Motif Batik Malangan. Imajinasi: Jurnal Seni, 13(2), 35-42. https://doi.org/10.15294/imajinasi.v13i2.21933.
Shanie, A., Sumaryanto, T., & Triyanto, T. (2017). Busana Aesan Gede dan Ragam Hiasnya sebagai Ekspresi Nilai-Nilai Budaya Masyarakat Palembang. Catharsis, 6(1), 49-56. https://doi.org/10.15294/catharsis.v6i1.17031
Susanti, L. R., Fatihah, H., Mariyani, M., Hidayanti, M., & Oktarina, T. (2024). Analisis Peninggalan Keagamaan Hindu-Buddha di Kedatuan Sriwijaya: Perspektif Sosio-Kultural. Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan, 8(1), 160-172. https://doi.org/10.29408/fhs.v8i1.23821.
Syaputra, M. A. D., Sariyatun, S., & Ardianto, D. T. (2020). Pemanfaatan situs purbakala candi muaro jambi sebagai objek pembelajaran sejarah lokal di era digital. Jurnal Pendidikan Sejarah Indonesia, 3(1), 77-87. https://doi.org/10.17977/um0330v3i1p77-87.
Tunjungsari, H. K., Selamat, F., & Chairy, C. (2019). Pengukuran Destination Awareness Wisatawan Domestik pada Candi Muaro Jambi. Jurnal Komunikasi, 11(2), 233-247. https://doi.org/10.24912/jk.v11i2.5796.
Wardhana, M. (2016). Menumbuhkan Minat pada Kain Nusantara Melalui Pelatihan Pembuatan Kain Ikat Celup (Jumputan) pada Warga Masyarakat. Jurnal Desain Interior, 1(2), 95-100. https://doi.org/10.12962/j12345678.v1i2.1908.
Waruwu, M. (2024). Metode penelitian dan pengembangan (R&D): konsep, jenis, tahapan dan kelebihan. Jurnal Ilmiah Profesi Pendidikan, 9(2), 1220-1230. https://doi.org/10.29303/jipp.v9i2.2141.
Wening, S., & Kusumadewi, P. D. A. (2023). Tren Berkain Generasi Z: Peluang Pengembangan Industri Kreatif Bidang Busana. Prosiding Pendidikan Teknik Boga Busana, 18(1), 1-8. https://journal.uny.ac.id/index.php/ptbb/article/view/68011/20550.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Aprillayalia Aghnia Rizqillah, Djoko Murdowo Murdowo

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
All writings in this journal are the full responsibility of the author. Jurnal Humanitas provides open access to benefit anyone with valuable information and findings. Jurnal Humanitas can be accessed free of charge at no cost, following the creative commons license. Authors who publish articles in the Jurnal Humanitas must comply with the following conditions:
The author retains the copyright and grants the right of first publication with the work licensed simultaneously under the Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) license, allowing others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
Authors may make additional separate contractual arrangements for the non-exclusive distribution of the published journal version of the work (for example, posting it to an institution or publishing it in a book), acknowledging its initial publication in this journal.
Authors are permitted and encouraged to post their work online (for example, on institutional repositories or websites) before and during the submission process, resulting in a productive exchange and earlier and more extensive citations of the published work.
All articles in this journal are the sole responsibility of the author. Jurnal Humanitas provides open access to benefit anyone with valuable information and findings. Jurnal Humanitas can be accessed and downloaded for free, following the creative commons license.
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License