DEKONSTRUKSI CITRA PEREMPUAN PADA LIRIK SATU BULAN DAN KATA MEREKA INI BERLEBIHAN KARYA BERNADYA
DOI:
https://doi.org/10.29408/sbs.v7i2.27977Keywords:
feminism, Simone de Beauvoir, lyricAbstract
This study analyzes the representation of women's images in two Bernadya songs through the perspective of Simone de Beauvoir's existentialist feminism, especially how women are depicted in patriarchal love relationships. The method used is critical discourse analysis with a hermeneutic approach, examining the hidden meanings behind the language and narrative in the lyrics. Data was obtained from the lyrics of both songs, sourced from credible music platforms, and analyzed based on de Beauvoir's concept of 'the Other.' The findings indicate that women are positioned in a subordinate role, trapped in the effort to achieve perfection in the eyes of their partners, yet never quite sufficient to gain equal recognition. This study contributes to the understanding of gender inequality in popular music media, with implications that music can serve as a tool to explore gendered power imbalances within patriarchal culture.
References
Asriningsih, N., & Turahmat. (2019). Perjuangan Tokoh Perempuan Dalam Cerita Pendek “Air” Karya Djenar Maesa Ayu. SeBaSa Jurnal Pendidikan Bahasa dan Sastra Indonesia, 2(2), 152-158. https://doi.org/10.29408/sbs.v2i2.1432
Astari, M. D. (2023). Objektifikasi Perempuan dalam Lagu-lagu Campursari Analisis Wacana M.A.K Halliday. Jurnal Media Dan Komunikasi, 2(2), 85–98. https://doi.org/10.20473/medkom.v2i2.33113
Beauvoir, S. d. (2019). The Second Sex. New York: Random House Audio.
Cixous, H. (2024). Le rire de la Méduse: Manifeste de 1975. Paris: Gallimard.
Dewi, S., & Primasti, D. (2022). Perempuan, Daster dan Liyan: Domestifikasi Perempuan dalam Lagu “Mendung Tanpo Udan”. Jurnal Komunikasi Nusantara, 4(1), 45-53. https://doi.org/10.33366/jkn.v4i1.105
Ferlitasari, R. (2021). Representasi Stereotip Perempuan dalam Musik Dangdut: Hegemoni Kuasa dan Strategi untuk Bertahan. YINYANG: Jurnal Studi Islam, Gender, dan Anak, 16(2), 269-287. https://doi.org/10.24090/yinyang.v16i2.4821
Gill, R. (2015). Gender and the Media. Cambrdige: Polity.
Hidayat, D. D., & Susanto, D. (2024). Cermin Sosial terhadap Kebebasan Perempuan pada Masyarakat Reformasi dalam Novel Saman Karya Ayu Utami. SeBaSa Jurnal Pendidikan Bahasa dan Sastra Indonesia, 7(1), 23-37. https://doi.org/10.29408/sbs.v7i1.23941
Hooks, B. (2020). The Will to Change: Men, Masculinity, and Love. New York: Simon & Schuster Audio.
Kurniasari, N. D. (2009). Potret Perempuan dalam Lirik Lagu (Analisis Wacana Kritis tentang Relasi Gender dalam Lirik Lagu 'Gaya' Kelompok Musik Jamrud). Jurnal Komunikasi, 3(1), 25-33. https://doi.org/10.21107/ilkom.v3i1
McClary, S. (2002). Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University Of Minnesota Press.
Natha, G. (2017). Representasi Stereotipe Perempuan dan Budaya Patriarki dalam Video Klip Meghan Trainor “All About That Bass”. Jurnal e-Komunikasi, 5(2), 1-9.
Nugraha, R. B. (2023). Consumer Migration From Physical Formats to Digital Music in Indonesia. Journal La Sociale, 4(6), 409-414. https://doi.org/10.37899/journal-la-sociale.v4i6.932
Nugraha, R. P. (2016). Konstruksi Nilai-nilai Nasionalisme dalam Lirik Lagu (Analisis Semiotika Ferdinand De Saussure pada Lirik Lagu “Bendera”). Jurnal Ilmu Ekonomi dan Sosial, 5(3), 290-303.
Sulistiono, A., & Dewi, S. I. (2019). Representasi Perempuan dalam Film Warkop DKI Reborn Jangkrik Boss Part 1 dalam Perspektif Gender. JISIP: Jurnal Ilmu Sosial dan Ilmu Politik, 8(4), 385-397. https://doi.org/10.33366/jisip.v8i4.2019
Whiteley, S. (2000). Women and Popular Music: Sexuality, Identity and Subjectivity. Oxford: Routledge.
Widjanarko, K. I. (2023). Representasi Perempuan dalam Lirik Lagu Album T.R.I.A.D Karya Ahmad Dhani (Kajian: Analisis Wacana Kritis Sara Mills). Bahtera Indonesia: Jurnal Penelitian Bahasa dan Sastra Indonesia, 8(1), 131-140. https://doi.org/10.31943/bi.v8i1.357
Wulan, R. R. (2014). Sensualitas Perempuan Dalam Industri Musik Populer. Jurnal Ilmu Komunikasi UPN Yogyakarta, 12(3), 267-276. https://doi.org/10.31315/jik.v12i3.1445
Yanti, D., & Nursalim, M. P. (2018). Perendahan Martabat Perempuan pada Lirik Lagu Karya Ahmad Dhani. Deiksis, 10(1), 20-25. http://dx.doi.org/10.30998/deiksis.v10i01.2061
Zahrani, H., & Rubini. (2023). Pendekatan Hermeneutika dalam Pengkajian Islam. Saliha: Jurnal Pendidikan dan Agama Islam, 6(2), 193-210. https://doi.org/10.54396/saliha.v6i2.662
Zam, M. A., Utami, P. I., & Fitriani, Y. (2023). Representasi Perempuan dalam Lirik Lagu Nadin Amizah "Rayuan Perempuan Gila". PEMBAHSI (Pembelajaran Bahasa dan Sastra Indonesia), 13(2), 210-216. https://doi.org/10.31851/pembahsi.v13i2.12894
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 SeBaSa
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
