NILAI KEPAHLAWANAN PADA FILM SALAHUDIN AL AYYUBI (SEMIOTIKA CHARLES SANDERS PEIRCE)

Authors

  • Fitria Nur Azizah Universitas Islam Negeri Sunan Gunung Djati Bandung https://orcid.org/0009-0000-0950-7017
  • Dayudin Universitas Islam Negeri Sunan Gunung Djati Bandung
  • Yadi Mardiansyah Universitas Islam Negeri Sunan Gunung Djati Bandung

DOI:

https://doi.org/10.29408/sbs.v8i1.29744

Keywords:

semiotics, Charles Sanders Peirce, Salahudin Al Ayyubi

Abstract

This study analyzes the values of heroism in the film Salahudin Al Ayyubi using Charles Sanders Peirce’s semiotic approach. Peirce’s semiotic theory divides signs into three main elements: Representamen (the sign itself), Object (what the sign represents), and Interpretant (the meaning derived from the sign). Using a qualitative analysis method, this study identifies visual and narrative symbols that represent heroism in the film. The analysis reveals five key heroic values reflected in the film: sacrifice, courage, responsibility, empathy, and justice. These values are represented through various visual signs, dialogues, and the actions of the main character, as well as events that depict the struggle to uphold justice and truth. The findings of this study indicate that Salahudin Al Ayyubi not only presents a historical and heroic narrative but also conveys profound moral messages through semiotic symbols. Furthermore, this research highlights the importance of semiotic analysis in understanding how heroic values are constructed and perceived by the audience. Thus, this study contributes to film studies and the interpretation of heroism in film media.

References

Bersaudara, A. B. K. (t.t.). (Analisis Semiotika Charles Sanders Pierce ).

Campbell, J. (2004). The hero with a thousand faces (Commemorative ed). Princeton University Press.

Christianto, I. A., & Winduwati, S. (2023). Representasi Nilai-Nilai Kepahlawanan Karakter Severus Snape dalam Film Harry Potter and the Deathly Hallows. 7(1).

Danesi, M. (2010). Pesan, Tanda, dan Makna: Buku Teks Dasar Mengenai Semiotika dan Teori Komunikasi. Jalasutra.

Fang, J., & Xiong, W. (2020). Impact of digital technology and internet to film industry. IOP Conference Series: Materials Science and Engineering, 768(7), 072112. https://doi.org/10.1088/1757-899X/768/7/072112

Harry Saptarianto, Shelvi Deviani, Syamas Isti Anah, & Indah Noviyanti. (2024). Menghadapi Tantangan Era Digital, Strategi Integrasi Media Sosial, Literasi Digital dan Inovasi Bisnis. Jurnal Manuhara : Pusat Penelitian Ilmu Manajemen dan Bisnis, 2(3), 128–139. https://doi.org/10.61132/manuhara.v2i3.955

Kartini, K., Fatra Deni, I., & Jamil, K. (2022). REPRESENTASI PESAN MORAL DALAM FILM PENYALIN CAHAYA: ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE. SIWAYANG Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi, 1(3), 121–130. https://doi.org/10.54443/siwayang.v1i3.388

Leliana, I., Ronda, M., & Lusianawati, H. (2021). REPRESENTASI PESAN MORAL DALAM FILM TILIK (ANALISIS SEMIOTIK ROLAND BARTHES). Cakrawala - Jurnal Humaniora, 21(2), 142–156. https://doi.org/10.31294/jc.v21i2.11302

Mahmudi, A. R., & Suryadi, A. (2024). Penanaman Nilai-Nilai Kepahlawanan dalam Pembelajaran Sejarah. Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora, 7(1), 480–496. https://doi.org/10.31539/kaganga.v7i1.9290

Mudjiono, Y. (2011). Kajian Semiotika Dalam Film. Jurnal Ilmu Komunikasi, 1(1), 125–138. https://doi.org/10.15642/jik.2011.1.1.125-138

Muhd Shukri, F., Hamid, H., Nik Harun, N. A., Hamadun, F., Omran Zailuddin, M. F. N., Ariffin, Md. A., & Marzuki, I. N. (2024). The Impact of Online Streaming Platforms on the Film Industry and Film-Viewing Culture in Malaysia. Journal of Entrepreneurship and Business, 12(1), 101–115. https://doi.org/10.17687/jeb.v12i1.1194

Naililhaq, F. N. (t.t.). Semiotika Peirce dalam Sajak Putih dan Sia-sia Karya Chairil Anwar.

Nirmala, A. F., Chamalah, E., & Setiana, L. N. (2021). ANALISIS SEMIOTIK FILM PENDEK “JOGO TONGGO” DI YOUTUBE CHANNEL KOMINFO JATENG. Jurnal Pendidikan Bahasa Indonesia, 9(1), 58. https://doi.org/10.30659/jpbi.9.1.58-70

Nuryadi, M. H., & Widiatmaka, P. (2022). Keunggulan Youtube sebagai Media Pembelajaran untuk Menumbuhkan Sikap Nasionalisme Mahasiswa. Journal of Civic Education, 5(3), 356–367. https://doi.org/10.24036/jce.v5i3.757

Puspita, R. (2021). NEGOSIASI PENONTON DALAM LIVE STREAMING PADA ERA POSMODERNISME: ANTARA KENIKMATAN MENONTON FILM DAN BERKOMENTAR. Bricolage : Jurnal Magister Ilmu Komunikasi, 7(2), 277. https://doi.org/10.30813/bricolage.v7i2.2644

Ramadhan, G., Rohanda, R., & Dayudin, D. (2024a). Nilai Sosial dan Budaya dalam Film Farha Karya Darin J. Sallam: Analisis Semiotika Charles Sanders Peirce. JURNAL Al-AZHAR INDONESIA SERI HUMANIORA, 9(3), 213. https://doi.org/10.36722/sh.v9i3.3596

Ramadhan, G., Rohanda, R., & Dayudin, D. (2024b). Nilai Sosial dan Budaya dalam Film Farha Karya Darin J. Sallam: Analisis Semiotika Charles Sanders Peirce. JURNAL Al-AZHAR INDONESIA SERI HUMANIORA, 9(3), 213. https://doi.org/10.36722/sh.v9i3.3596

Warsana, D., Nafsika, S. S., & Undiana, N. N. (2021). Komunikasi Seni: Representasi Masyarakat Urban di Kota Bandung dalam Bingkai Karya Seni Karya Mufty Priyanka. Komunikasiana: Journal of Communication Studies, 3(1), 16. https://doi.org/10.24014/kjcs.v3i1.13233

Zoest & Aart. (1993). Semiosis dan Semiotika: Teori Tanda dan Makna. Gramedia Pustaka Utama.

Downloads

Published

2025-03-30

How to Cite

Nur Azizah, F., Dayudin, & Mardiansyah, Y. (2025). NILAI KEPAHLAWANAN PADA FILM SALAHUDIN AL AYYUBI (SEMIOTIKA CHARLES SANDERS PEIRCE). SeBaSa, 8(1), 117–132. https://doi.org/10.29408/sbs.v8i1.29744

Issue

Section

Articles