MAKNA CINTA DALAM SASTRA INDONESIA LOMBOK

Dharma Satrya HD, Eva Nurmayani, Riyana Rizki Yuliatin

Abstract


This article discusses the meaning of love in Lombok Indonesian literature. The meaning of love is discussed in the context of romanticism. This article tries to answer what is the meaning of love if it tends to the poles of the ideal world or to the poles of the real world. This article describes the conceptualization of love in Lombok Indonesian literature. To explain this problem, this article uses representation theory with semiotic analysis method. The theory assumes that literary works are a representation of reality, not a presentation of reality. Literary work as a sign which is the unity between a signifier and signified, both at the level of language and  myth. This article shows that the tendency of love to the poles of ideal world, interprets love as loyalty and responsibility. While the tendency of love to the poles of the real world, interpreting love as liberating feeling. The tendency of the meaning of love, which reject both poles, constructs the meaning of love as a blessing for other, not as suffering for other. The tendency to unite the poles, the ideal and the real, constructs love as of act of elopement, merarik.


Full Text:

PDF

References


Aini, Z. (2017). The actualization of cultural elements in novel Guru Onyeh by Salman Faris. International Journal of Social Sciences and Humanities, 1(3), 17–27. https://doi.org/10.29332/ijssh.v1n3.49

Akbar, S. (2013). Kajian Sosiologi Sastra dan Nilai Pendidikan dalam Novel Tuan Guru Karya Salman Faris. Pendidikan Bahasa Dan Sastra, 1(1), 54–68.

Alaini, N. N. (2015). Stratifikasi Sosial Masyarakat Sasak dalam Novel Ketika Cinta Tak Mau Pergi karya Nhadira Khalid. Kandai, 11 nomor 1, 110–123.

Badrin. (2013). Potret Perjuangan Tokoh Utama dan Nilai Didik dalam Novel Guru Dane karya Salman Faris serta Relevansinya dengan Pembelajaran Sastra di MA. Universitas Mataram.

Barthes, R. (2007). Membedah Mitos-Mitos Budaya Massa. Jalasutra.

Dewi, P., Yuliatin, R. R., Magfirah, S., Sari, D. E., & Maricar, F. (2021). Promoting Gender Equality Values in a Fiction Written by A Lombok Female Writer. InternationalJournal of Linguistics, Literature and Translation, 4(3), 17–21. https://www.al-kindipublisher.com/index.php/ijllt/article/view/1391/1214

Faozan. (2017). Motivasi Tindakan Salman Faris dalam Membangun Diskursus Karisma Tuan Guru dalam Novel Tuan Guru. Haluan Sastra Budaya, 1(1), 20–40.

Faruk. (2001). Beyond Iamagination, Sastra Mutakhir dan Ideologi. Gama Media.

Faruk. (2012). Novel Indonesia, Kolonialismme dan Ideologi Emansipatori (M. Nursam (ed.); Kedua). Ombak.

Hall, S. (1997). The Work of Representation. In S. Hall (Ed.), Representation: Cultural Representations and Signifying Practices (pp. 1–74). Sage Publication.

Harahap, E. M. (2018). Dekonstruksi Novel Maryam Karya Okky Madasary [Universitas Gadjah Mada]. In thesis. https://doi.org/10.1590/s1809-98232013000400007

Hidayatullah, M. (2016). Citra Perempuan Sasak dalam Novel Perempuan Rusuk Dua karya Salman Faris dan Eva Nourma (Kajian Sosiologi Sastra, Gender, Nilai Pendidikan dan Relevansinya dengan pembelajaran Sastra di SMA).

Khairussibyan, M., & Marahayu, N. M. (2018). RUANG LIMINAL YANG AMBIVALEN: TRADISI DAN MODERNITAS DI LOMBOK DALAM KUMPULAN PUISI LANGIT SEPERTICANGKANG TELUR BEBEKKARYA IMAM SAFWAN. Lingua Idea, 9(2). http://jos.unsoed.ac.id/index.php/jli/article/view/1170/905

Khalid, N. (2008). Ketika Cinta Tak Mau Pergi (Kedua). Lingkar Pena.

Mahyudi, J. (2012). Bisikan Tetesan Hujan. Arga Puji Press.

Mahyudi, J., & Agusman. (2018). Romantisme Perempuan Muda Sasak dalam Antologi Puisi Eulogi. Satwika, 2(April), 58–66.

Marrison, G. E. (1999). Sasak dan Javanesse Literture of Lombok. KITLV.

Safwan, I. (2014). Langit Seperti Cangkang Telur Bebek. Akar Pohon.

Satrya HD, D. (2018a). Feudalism versus Capitalism: The Changing Representation of Lombok in Nadira Khalid’s Novel Ketika Cinta Tak Mau Pergi. 3L: Language, Linguistics, Literature, 24(4), 115–127. https://doi.org/10.17576/3L-2018-2404-09

Satrya HD, D. (2018b). Strategi Kiki Sulistyo dalam Arena Sastra Indonesia. Haluan Sastra Budaya, 2(1), 41–59.

Satrya HD, D. (2019). Puisi Indonesia Lombok : Perlawanan Terhadap Hegemoni Tuan Guru. Bahasa Dan Seni: Jurnal Bahasa, Sastra, Seni Dan Pengajarannya, 47(1), 22–35. http://journal2.um.ac.id/index.php/jbs/article/view/6149

Satrya HD, D. (2020). FROM EUROPE TO LOMBOK : THE DISCOURSE OF LOMBOK TOURISM IN THE NOVEL MEDULLA SINCULASIS. Lingua, 15(2), 99–110. http://ejournal.uin-malang.ac.id/index.php/humbud/article/view/10088

Satrya HD, D. (2016). Posisi dan Disposisi Agen Sastra di Lombok. Isu-Isu Mutakhir Kajian Bahasa Dan Satra, 442–455.

Satrya HD, D., Faruk, F., & Pujiharto, P. (2019a). Kawin Lari from a Modern Perspective: The Representation of Lombok in the Novel Bisikan Tetesan Hujan. In P. A. W. Wibowo, S. Endraswara, & T. dkk Supriyanto (Eds.), Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia (pp. 1–8). EAI. https://doi.org/10.4108/eai.20-9-2019.2296841

Satrya HD, D., Faruk, & Pujiharto. (2021). “Kidnapping the Bride”—A Traditional Sasak Wedding Seen in Sesak Cinta Di Tanah Sasak Novel: A Model in Contemporary Indonesian Literature Studies. In D. S. Sheriff (Ed.), Psycho-Social Aspects of Human Sexuality and Ethics (pp. 1–12). IbtechOpen. https://doi.org/10.1016/j.colsurfa.2011.12.014

Satrya HD, D., Faruk, & Pujiharto. (2019b). Romanticism and New Awareness in Indonesian Literature : Lombok ’ s Representation in Novel Opto Ergo Sum. English Language and Literature International Conference, 341–349. https://doi.org/10.4108/eai.27-4-2019.2285292

Satrya HD, D., & Nursaly, B. R. (2021). Back to Java : The discourse of Lombok art in Salman Faris ’ s Kenari Mentaram. EduLite, Journal of English Education, Literature, and Culture, 6(1), 179–188.

Sukmawati, L., Sudardi, B., & Susanto, D. (2017). Perempuan Sasak dalam Novel Sri Rinjani karya Eva Nourma: Kajian Feminisme. Haluan Sastra Budaya, 1(2), 177–190.

Trisnawati, I. A. (2001). Seni Drama Putri Mandalika dalam Tradisi Ritus Bau Nyale di Lombok Tengah, Nusa Tenggara Barat. Universitas Udayana.

Turmudji, A. (2010). Sesak Cinta di Tanah Sasak. CV Dimensi Raya.

Van der Meij, D. (2011). Sastra Sasak Selayang Pandang. 1 Nomor 1, 17–45.

Wijaya, H. (2013). Merpati Kembar di Lombok karya Nuriadi (Kajian Sosiologi Sastra, Budaya, Resepsi, dan Nilai Pendidikan). Universitas Sebelas Maret.

Zuhairini, S. (2017). Idealisme Perjuangan Perempuan Sasak dalam Novel “Merpati Kembar di Lombok” karya Nuriadi dan Relevansinya terhadap Pembelajaran Sastra di SMAN 1 Kediri. Mabasindo, 1(1), 75–84.




DOI: https://doi.org/10.29408/sbs.v5i2.6163

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Creative Commons License
SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.


View My Stats