Bahasa Perlawanan dan Politik Tubuh dalam Teori Drama Pasca-Kolonial Helen Gilbert dan Joanne Tompkins

Authors

  • Herpin Nopiandi Khurosan IAIN Salatiga
  • Riyana Rizki Yuliatin Universitas Hamzanwadi

DOI:

https://doi.org/10.29408/tmmt.v2i2.2294

Keywords:

Post-colonial Drama, Body Politics, Helen Gilbert, Joanne Tompkins

Abstract

This paper is a review and preparation of concepts, ideas and theoris of post-colonial drama in Helen Gilbert andTompkins’s sense. I use “Post-Colonial Drama: Theory, Practice, Politics†as a main source of their ideas about post-colonial Drama. I limited this paper in theories of canonical counter-discourse, the language of resistance, and body politics in post-colonial context. The result of this reconstruction to their theories is developed to become theoretical and methodological framework which can be used to analyse post-colonial drama in later researches.

References

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Echeruo, M.J.O. (1981) ‘The dramatic limits of Igbo ritual’, dalam Y.

Ogunbiyi (ed.) Drama and Theatre in Nigeria: A Critical Source Book, Lagos:

Nigeria Magazine, 136–48.

Gilbert, Helen dan Joanne Tompkins. 2002. Post-Colonial Drama: Theory, Practice, Politics. New York: Routledge.

Lawson, A. (1992) ‘Comparative studies and post-colonial “settlerâ€

cultures’, Australian-Canadian Studies 10, Hal:153–9.

Williams and Laura Chrisman (ed). 1990. Colonial Discourse and Post-Colonial

Theory: A Reader. New York: Harvester

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Published

2020-06-30

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