Studi Literatur: Analisis Estetika Musik Barok pada "Feel My Rhythm”
DOI:
https://doi.org/10.29408/tmmt.v5i2.12862Keywords:
“Air on the G String”, Baroque music, “Feel My Rhythm”, Music aesthetic analysisAbstract
Music, fundamentally, always evolves through increasing human creativity. The increase in human creativity has given rise to various variations of popular music trends. This is found in the use of Baroque music samples "Air on the G String" by Johann Sebastian Bach in the song "Feel My Rhythm" by the girl group Red Velvet. This study examines the aesthetic value of Baroque music "Air on the G String" by Johann Sebastian Bach in its utilization on the song "Feel My Rhythm" by Red Velvet. As qualitative research, the assessment was conducted using a literature study approach and descriptive analysis method. Through research, it was found that there are key adjustments, chord progressions, bass and harmony agility, as well as electronic sound medium intervention in the song "Feel My Rhythm" through the aesthetic perspective of Baroque music "Air on the G String." Thus, in the use of samples of Baroque music "Air on the G String" in the Modern era "Feel My Rhythm," it can be concluded that the aesthetic authenticity (characteristics) of Baroque music is still present and only given an increase in modernity aspects.References
Ahmad, A. (2021). Konsep Dasar Seni Musik. GUEPEDIA.
Habsy, B. A. (2017). Seni memehami penelitian kuliatatif dalam bimbingan dan konseling: studi literatur. Jurnal Konseling Andi Matappa, 1(2), 90–100.
Hidayatullah, R. (2016). Estetika Seni. Arttex.
Julianto, S. P. B. (2021). ANALISIS TEKNIK PERMAINAN VIOLIN PADA CONCERTO IN A MINOR 1ST MOVEMENT KARYA ANTONIO VIVALDI. Repertoar Journal, 2(2), 312–322.
Kinanthi, A. (2022). Analisis Struktur Piano Sonata In A♭ Major, HOB. XVI:46 BAG. 1: Allegro Moderato Karya Joseph Haydn [Bachelor]. Institut Seni Indonesia Yogyakarta.
Melinda, V., & Zainil, M. (2020). Penerapan model project based learning untuk meningkatkan kemampuan komunikasi matematis siswa sekolah dasar (studi literatur). Jurnal Pendidikan Tambusai, 4(2), 1526–1539.
Nailiyah, W. M. (2018). Analisis Interpretasi Musik Jaman Barok Pada Prelude From Suite No. 1 For Violoncello Solo Karya JS Bach. Virtuoso: Jurnal Pengkajian Dan Penciptaan Musik, 1(2), 1–12.
Nurgiansah, H. (2021). Filsafat pendidikan. CV. Pena Persada.
Prier, K.-E. (1995). Sejarah Musik Jilid 1. In Yogyakarta: Pusat Musik Liturgi. Pusat Musik Liturgi.
Sepdwiko, D. (2019). Pertunjukan Musiksolis Marimba Dalamkomposisirondo Allaturca, Talemangko Dan Bacarai Kasiahjurusan Musik Minat Pertunjukan Musik. Jurnal Sitakara, 4(1).
Strauss, A., & Corbin, J. (2003). Penelitian Kualitatif. Yogyakarta: Pustaka Pelajar.
Sugiarto, R. (2019). STUDI ANALOGIS BENTUK ARSITEKTURAL DAN MUSIK BAROK. MEDIA MATRASAIN, 16(1), 1–14.
Sunarto, S. (2016). Estetika Musik: Autonomis versus Heteronomis dan Konteks Sejarah Musik. PROMUSIKA: Jurnal Pengkajian, Penyajian, Dan Penciptaan Musik, 4(2), 102–116.
Supriyadi, S. (2019). Nilai Estetis Musik dalam Rentang Sejarah Musik Barat. Tonika: Jurnal Penelitian Dan Pengkajian Seni, 2(1), 1–18.
Tampubolon, V. M. B. (2019). Teknik Penyajian Permainan Gitar Klasik Pada Lagu Suite No. 3 Gerakan I dan II Karya Johann Sebastian Bach [Bachelor]. Universitas HKBP Nommensen.
Downloads
Published
Issue
Section
License
All writings in this journal are the full responsibility of the author. Tamumatra : Jurnal Seni Pertunjukan provides open access to benefit anyone with valuable information and findings. Tamumatra : Jurnal Seni Pertunjukan can be accessed free of charge at no cost, following the creative commons license. Authors who publish articles in the Tamumatra : Jurnal Seni Pertunjukan must comply with the following conditions:
The author retains the copyright and grants the right of first publication with the work licensed simultaneously under the Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) license, allowing others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
Authors may make additional separate contractual arrangements for the non-exclusive distribution of the published journal version of the work (for example, posting it to an institution or publishing it in a book), acknowledging its initial publication in this journal.
Authors are permitted and encouraged to post their work online (for example, on institutional repositories or websites) before and during the submission process, resulting in a productive exchange and earlier and more extensive citations of the published work.
All articles in this journal are the sole responsibility of the author. Tamumatra : Jurnal Seni Pertunjukan provides open access to benefit anyone with valuable information and findings. Tamumatra : Jurnal Seni Pertunjukan can be accessed and downloaded for free, following the creative commons license.
Tamumatra : Jurnal Seni Pertunjukan is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License