Studi Literatur: Analisis Estetika Musik Barok pada "Feel My Rhythm”

Authors

  • Cevinita Nahany Nevia Nikita Becker Institut Seni Indonesia Yogyakarta
  • Maula Waytisi Kirana Institut Seni Indonesia Yogyakarta
  • Axel Nicholas Cornelius Institut Seni Indonesia Yogyakarta

DOI:

https://doi.org/10.29408/tmmt.v5i2.12862

Keywords:

“Air on the G String”, Baroque music, “Feel My Rhythm”, Music aesthetic analysis

Abstract

Music, fundamentally, always evolves through increasing human creativity. The increase in human creativity has given rise to various variations of popular music trends. This is found in the use of Baroque music samples "Air on the G String" by Johann Sebastian Bach in the song "Feel My Rhythm" by the girl group Red Velvet. This study examines the aesthetic value of Baroque music "Air on the G String" by Johann Sebastian Bach in its utilization on the song "Feel My Rhythm" by Red Velvet. As qualitative research, the assessment was conducted using a literature study approach and descriptive analysis method. Through research, it was found that there are key adjustments, chord progressions, bass and harmony agility, as well as electronic sound medium intervention in the song "Feel My Rhythm" through the aesthetic perspective of Baroque music "Air on the G String." Thus, in the use of samples of Baroque music "Air on the G String" in the Modern era "Feel My Rhythm," it can be concluded that the aesthetic authenticity (characteristics) of Baroque music is still present and only given an increase in modernity aspects.

References

Ahmad, A. (2021). Konsep Dasar Seni Musik. GUEPEDIA.

Habsy, B. A. (2017). Seni memehami penelitian kuliatatif dalam bimbingan dan konseling: studi literatur. Jurnal Konseling Andi Matappa, 1(2), 90–100.

Hidayatullah, R. (2016). Estetika Seni. Arttex.

Julianto, S. P. B. (2021). ANALISIS TEKNIK PERMAINAN VIOLIN PADA CONCERTO IN A MINOR 1ST MOVEMENT KARYA ANTONIO VIVALDI. Repertoar Journal, 2(2), 312–322.

Kinanthi, A. (2022). Analisis Struktur Piano Sonata In A♭ Major, HOB. XVI:46 BAG. 1: Allegro Moderato Karya Joseph Haydn [Bachelor]. Institut Seni Indonesia Yogyakarta.

Melinda, V., & Zainil, M. (2020). Penerapan model project based learning untuk meningkatkan kemampuan komunikasi matematis siswa sekolah dasar (studi literatur). Jurnal Pendidikan Tambusai, 4(2), 1526–1539.

Nailiyah, W. M. (2018). Analisis Interpretasi Musik Jaman Barok Pada Prelude From Suite No. 1 For Violoncello Solo Karya JS Bach. Virtuoso: Jurnal Pengkajian Dan Penciptaan Musik, 1(2), 1–12.

Nurgiansah, H. (2021). Filsafat pendidikan. CV. Pena Persada.

Prier, K.-E. (1995). Sejarah Musik Jilid 1. In Yogyakarta: Pusat Musik Liturgi. Pusat Musik Liturgi.

Sepdwiko, D. (2019). Pertunjukan Musiksolis Marimba Dalamkomposisirondo Allaturca, Talemangko Dan Bacarai Kasiahjurusan Musik Minat Pertunjukan Musik. Jurnal Sitakara, 4(1).

Strauss, A., & Corbin, J. (2003). Penelitian Kualitatif. Yogyakarta: Pustaka Pelajar.

Sugiarto, R. (2019). STUDI ANALOGIS BENTUK ARSITEKTURAL DAN MUSIK BAROK. MEDIA MATRASAIN, 16(1), 1–14.

Sunarto, S. (2016). Estetika Musik: Autonomis versus Heteronomis dan Konteks Sejarah Musik. PROMUSIKA: Jurnal Pengkajian, Penyajian, Dan Penciptaan Musik, 4(2), 102–116.

Supriyadi, S. (2019). Nilai Estetis Musik dalam Rentang Sejarah Musik Barat. Tonika: Jurnal Penelitian Dan Pengkajian Seni, 2(1), 1–18.

Tampubolon, V. M. B. (2019). Teknik Penyajian Permainan Gitar Klasik Pada Lagu Suite No. 3 Gerakan I dan II Karya Johann Sebastian Bach [Bachelor]. Universitas HKBP Nommensen.

Downloads

Published

2023-07-01

Issue

Section

Artikel