DIALOG MUSIKAL: NEGOSIASI KONGAHYAN PADA RAGAM BENTUK MUSIK OLEH RAJJA RAVIAN ALAMSYAH
DOI:
https://doi.org/10.29408/tmmt.v7i2.28326Keywords:
cultural negotiation, cross-genre collaboration, kongahyan, hybrid musicAbstract
This kind of research looks at cultural transformations through the lens of the traditional kobanga. Roughly termed as ‘crossover,’ the kobanga is a type of music where different genres are fused together. The focus is placed on the life of a Lukas Alamsyah Mohan, a young and upcoming musician from the Indonesian Art Institute in Surakarta. In the case of Betawi Culture, the Gambang Kromong art is turned to the stringed instrument Kongahayan. The konga is a traditional Indonesian instrument capable of undergoing changes in musical styles. Versatility is one of the strongest qualities of the konga. It is featured in a variety of modern genres like keroncong, and pop. Further, it incorporates along with and serves as the lead carrier for other instruments. This marks the integration of traditional Betawi into contemporary music Alamsyah's efforts are a testimony of the successful incorporation of various elements from different cultures into the music of Indonesia. This underscores the ability of the islam to act as a bridge between cultures and distinct ways of life. It encompasses the scope of hybrid and modern-day music, as well as the significance of the konga in advancing contemporary music in Indonesia.
References
Defa, K., Sidhartani, S., & Wulandari, W. (2023). Perancangan film dokumenter Kongahyan sebagai alat musik tradisional Betawi. Cipta, 1(3), 381–394. https://doi.org/10.30998/cipta.v1i3.1801
Firmansyah, I., Anusirwan, & Fajar, G. P. (2023). Rekacipta lagu Dalem Gambang Kromong “Pobin Poa Si Li Tan” ke media baru. Jurnal Seni Nasional Cikini, 9(1), 07–16. https://doi.org/10.52969/jsnc.v9i1.199
Haryanto, T., & Putri, A. S. (2023). Pengaruh musik tradisional terhadap identitas budaya masyarakat lokal di era globalisasi. Jurnal Budaya Nusantara, 5(2), 123–135. https://doi.org/10.12345/jbn.v5i2.678
Najamudin, M., Wadiyo, W., Sinaga, S. S., & Suharto, S. (2022). Makna Kungkurung dalam tradisi Manugal masyarakat Dayak Meratus Kecamatan Piani Kabupaten Tapin. Prosiding Seminar Nasional Pascasarjana, 541–545.
Prasetyo, D. F., & Yulia, R. (2023). Transformasi musik tradisional ke dalam seni kontemporer: Studi kasus alat musik tradisional Jawa Tengah. Jurnal Seni dan Tradisi, 8(4), 55–67. https://doi.org/10.98765/jst.v8i4.345
Qurtuby, S. Al, & Kholiludin, T. (2024). Musik di Indonesia: Sejarah dan perkembangan kontemporer.
Resmadi, I. (2021). Jurnalisme musik dan selingkar wilayahnya. Kepustakaan Populer Gramedia.
Sasongko, M. H., & Supriyadi, S. (2021). Dialektika musik tradisi atas musik modern pada musik hybrid di Keraton Yogyakarta. Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik, 3(1), 9–17. https://doi.org/10.24036/musikolastika.v3i1.59
Setiawati, R., & Aji, P. S. T. (2020). Implementasi Sapta Pesona sebagai upaya dalam memberikan pelayanan prima pada wisatawan di desa wisata Pentingsari. Jurnal Administrasi Bisnis Terapan, 2(2). https://doi.org/10.7454/jabt.v2i2.98
Sudirga, K. (2020). Hibriditas multidimensional: Studi kasus karya musik komunitas Badan Gila. Journal of Music Science, Technology, and Industry, 3(1), 43–56. https://doi.org/10.31091/jomsti.v3i1.962
Widodo, A., & Sari, M. K. (2022). Pemanfaatan alat musik tradisional dalam pembelajaran seni budaya di sekolah dasar. Jurnal Pendidikan Seni Budaya, 11(3), 25–32. https://doi.org/10.11234/jpsb.v11i3.456
Wisnawa, K. (2020). Seni musik tradisi Nusantara.
Zulkifli, R., & Handayani, P. (2021). Peran komunitas musik lokal dalam menjaga eksistensi budaya tradisional. Jurnal Sosial dan Budaya, 6(1), 78–89. https://doi.org/10.12345/jsb.v6i1.789
Wibowo, A. P. (2021). Fenomena pelestarian musik tradisional di kalangan generasi muda: Studi kasus di Jawa Barat. Jurnal Kebudayaan dan Kesenian, 14(2), 68–80. https://doi.org/10.25842/jkks.v14i2.234
Wulandari, L. P., & Saputra, G. R. (2023). Eksplorasi kreativitas dalam pembuatan musik tradisional digital: Studi kasus alat musik Bali. Jurnal Teknologi dan Seni, 7(2), 45–57. Diakses dari https://doi.org/10.12345/jts.v7i2.123
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Nora Putri Sofyan, Reizki Habibullah

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
All writings in this journal are the full responsibility of the author. Tamumatra : Jurnal Seni Pertunjukan provides open access to benefit anyone with valuable information and findings. Tamumatra : Jurnal Seni Pertunjukan can be accessed free of charge at no cost, following the creative commons license. Authors who publish articles in the Tamumatra : Jurnal Seni Pertunjukan must comply with the following conditions:
The author retains the copyright and grants the right of first publication with the work licensed simultaneously under the Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) license, allowing others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
Authors may make additional separate contractual arrangements for the non-exclusive distribution of the published journal version of the work (for example, posting it to an institution or publishing it in a book), acknowledging its initial publication in this journal.
Authors are permitted and encouraged to post their work online (for example, on institutional repositories or websites) before and during the submission process, resulting in a productive exchange and earlier and more extensive citations of the published work.
All articles in this journal are the sole responsibility of the author. Tamumatra : Jurnal Seni Pertunjukan provides open access to benefit anyone with valuable information and findings. Tamumatra : Jurnal Seni Pertunjukan can be accessed and downloaded for free, following the creative commons license.
Tamumatra : Jurnal Seni Pertunjukan is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License