NEGOSIASI MUSIKAL ORKES KERONCONG FARIES NAFISA NUSANTORO DALAM PERTAUTAN PERKEMBANGAN MUSIK POPULER DANGDUT
DOI:
https://doi.org/10.29408/tmmt.v7i2.29177Keywords:
dangdut, cultural dialectics, keroncong orchestra, musical negotiation, popular musicAbstract
This paper aims to uncover and explain the process of adaptation and negotiation of keroncong music amidst the dominance of popular dangdut music culture. This study focuses on the cultural dialectics undertaken by Faries Nafisa Nusantoro and Sanggar Rindu Malam in their efforts to confront the dominance of mainstream music. This research is based on an ethnographic approach conducted through building direct involvement in the midst of the study, supported by techniques such as observation, interviews, documentation, and literature review. This study produces findings in the form of adaptations referring to the marriage (hybridization) between keroncong music and dangdut music, musical negotiations that occur in the development of keroncong music, and its significance in the development of keroncong music in meeting the needs of the music industry in Indonesia. The findings of this research are expected to provide discourse and knowledge that contribute to the preservation and development of keroncong music in Indonesia.
References
Artikel
Amdy, M. R. El, Nurti, Y., & Ariyanto, A. (2023). Jurnal Antropologi: Isu-Isu Sosial Budaya. Jurnal Antropologi: Isu-Isu Sosial Budaya, 25(1), 130–141.
Ariyani, N. I. (2013). STRATEGI ADAPTASI ORANG MINANG TERHADAP BAHASA, MAKANAN, DAN NORMA MASYARAKAT JAWA. Jurnal Komunitas, 5(1), 26–37. https://doi.org/https://doi.org/10.15294/komunitas.v5i1.2369
Arjaya, D. (2016). Dangdut dan Rezim Orde Baru: Wacana Nasionalisasi Musik Dangdut Tahun 1990-an. Lembaran Sejarah, 12(1), 22–35. https://doi.org/10.22146/lembaran- sejarah.25516
Asmoro, B. W. (2017). STRATEGI ADAPTASI ORKES KERONCONG “NEW VICTORY” TERHADAP BUDAYA POPULER di SURABAYA [Universitas Airlangga]. In Universitas Airlangga (Vol. 1, Issue 1). http://repository.unair.ac.id/id/eprint/70942
Asriyani, N., & Rachman, A. (2019). Enkulturasi Musik Keroncong oleh O.K Gema Kencana Melalui Konser Tahunan di Banyumas. Musikolastika: Jurnal Pertunjukan Dan Pendidikan Musik, 1(2), 74–86. https://doi.org/10.24036/musikolastika.v1i2.27
Azmi, T., Adriaan, J. T., & Sanjaya, R. M. S. (2024). PENERAPAN HARMONI EXTENDED DALAM ARANSEMEN PIANO JAZZ PADA LAGU RUNGKAD KARYA VICKY The Application of Extended Harmony In A Jazz Piano Arrangement of the Song Rungkad by Vicky Prasetyo. Jurnal Ilmiah Seni Pertunjukan, 18(1), 39–48. https://journal.isi.ac.id/index.php/IDEA
Destiana, E. (2012). Keroncong Stamboel Sebagai Bentuk Akulturasi Budaya Urban. Pedagogia : Jurnal Pendidikan, 1(2), 153–160. https://doi.org/10.21070/pedagogia.v1i2.38
Dirgualam, O., Suganda, D., Wikagoe, B., & Sufianto, K. (2021). Adaptasi Estetika Permainan Musik Barat pada Big Band Salamander. Jurnal Kajian Seni, 7(1), 107–122. https://doi.org/10.22146/jksks.56384
Fitriyadi, I., & Alam, G. (2020). Globalisasi Budaya Populer Indonesia (Musik Dangdut) di Kawasan Asia Tenggara. Padjadjaran Journal of International Relations, 1(3), 251. https://doi.org/10.24198/padjir.v1i3.26196
Frederick, W. H. (1982). Rhoma Irama and the Dangdut Style: Aspects of Contemporary Indonesian Popular Culture. Cornell University Press. https://doi.org/https://doi.org/10.2307/3350952
Harvey, P. (1996). Hybrids of Modernity Anthropology, the nation state and the universal exhibition (Taylor & F). Routledge 11 New Fetter Lane, London EC4P 4EE. https://doi.org/https://doi.org/10.4324/9780203434840
Hidayatullah, P. (2015). Musik Adaptasi Dangdut Madura. Resital: Jurnal Seni Pertunjukan, 16(1), 1–14. https://doi.org/10.24821/resital.v16i1.1270
Kasfiyullah, & Alfian, H. (2023). Perlawanan Musisi Gambang Kromong Terhadap Dominasi Industri Musik Mainstream. Emerald: Journal of Economics and Social Sciences, 2(1), 47–62.
Kurniawan, & Nupus, H. (2020). KOMODIFIKASI DALAM AJANG PENCARIAN BAKAT PENYANYI. Jurnal Ilmiah Ilmu Komunikasi, 19(1), 24–39.
Murfia, I., Suprihatini, T., Turnomo, R., & Ulfa, N. S. (2020). Negosiasi Identitas Kultural Tionghoa Muslim dan Kelompok Etnisnya Dalam Interaksi Antarbudaya. Jurnal Interaksi Online, 2(4), 1–10.
Rachman, A., & Utomo, U. (2018). “Sing Penting Keroncong” Sebuah Inovasi Pertunjukkan Musik Keroncong di Semarang. Jurnal Pendidikan Dan Kajian Seni, 3(1), 47–64. https://doi.org/10.30870/jpks.v3i1.4066
Raditya, M. H., & Simatupang, G. R. L. L. (2018). Negosiasi Kultural dan Musikal Dangdut Koplo pada Orkes Melayu Sonata di Jombang. Panggung, 28(4). https://doi.org/10.26742/panggung.v28i4.711
Ramadhani, F. A., & Rachman, A. (2019). Resitensi Musik Keroncong di Era Disrupsi: Studi Kasus Pada O.K Gita Puspita di Kabupaten Tegal. Musikolastika: Jurnal Pertunjukan Dan Pendidikan Musik, 1(1), 41–51. https://doi.org/10.24036/musikolastika.v1i1.18
Reza, H. M. (2024). Denny Caknan Ambyarkan Alun-Alun Ngawi di Peluncuran Pilbup Ngawi
2024. https://ngawi.pikiran-rakyat.com/jawa-timur-ae/pr-2318186454/denny-caknan- ambyarkan-alun-alun-ngawi-di-peluncuran-pilbup-2024?page=all
Sabagyo, O. A., & Vera, N. (2023). Building a National Identity Through Dangdut Music Programs on Television ( Case Study : D ’ Academy 5 Indosiar ) Membangun Identitas Nasional Melalui Program Musik Dangdut di Televisi ( Studi Kasus : D ’ Academy 5 Indosiar). 15(2), 347–367.
sanggarrindumalam. (2024). No Title. https://www.instagram.com/p/DDbw_1BRGKI/
Saputra, D. N. (2017). Eksistensi Grup Musik Keroncong Diantara Penggemar Musik Dangdut Studi Kasus: Desa Sukorejo Kecamatan Tegowanu, Kabupaten Grobogan. Invensi, 1(2), 89–100. https://doi.org/10.24821/invensi.v1i2.1618
Setiaji, D. (2021). The Influence of Local Musical Idiom Establishing Interkultural Section In The Style Pattern of Gendang Dangdut Koplo. Jurnal Ekspresi Seni Jurnal Ilmu Pengetahuan Dan Karya Seni.
Siong, & Bang, B. (2022). Adaptasi Musik Pucatn Dayak Barai Dalam Perayaan Liturgi Gereja Katolik. Agiornamento, 3(2), 29–42. https://jurnalaggiornamento.id/index.php/amt/article/view/43%0Ahttps://jurnala ggiornamento.id/index.php/amt/article/view/43%0Ahttps://jurnalaggiornamento.i d/index.php/amt/article/download/43/33
Spradley, J. P. (1980). Participant Observation. In Hancourt Brace Jovanovich Inc., Orlando, florida 32887.
suarangawi.com. (2023). Denny Caknan Sukses Gelar Konser di Tanah Kelahirannya. https://suarangawi.com/denny-caknan-sukses-gelar-konser-di-tanah-kelahirannya
Subhani, S., Harinawati, H., Ali, M., & Maulidayanti, M. (2021). NEGOSIASI PEMBELI DAN PEDAGANG DI PASAR TRADISIONAL GEUDONG (Studi pada Penjual Pakaian Dewasa di Kecamatan Samudera Kabupaten Aceh Utara Periode Bulan Januari- Mei 2021). Jurnal Jurnalisme, 10(1), 91–103. https://doi.org/10.29103/jj.v10i1.4884
Supriyadi, & Setiyono, B. (2024). NEGOSIASI MUSIKAL DAN SOSIO-KULTURAL PADA KESENIAN GANJURAN DI PURA WISNU SAKTI KLATEN. Sorai: Jurnal Pengkajian Dan Penciptaan Musik, 17(1), 1–11. https://doi.org/10.33153/sorai.v17i1.6240
Sya’adah, M., Sukri, & Akbar, M. (2024). Adaptasi Komunikasi Masyarakat Transmigran Jawa dan Transmigran Bali dalam Penyuluhan Pertanian (Studi Deskriptif Kualitatif di Desa Watabenua, Landono Sulawesi Tenggara). Jurnal Penelitian Inovatif, 4(2), 289–296. https://doi.org/10.54082/jupin.305
Triana, E., & Aji, G. G. (2022). Strategi Promosi DC Production Melalui Media Sosial dalam Menaikkan Popularitas Denny Caknan. THE COMMERCIUM: Jurnal Ilmu Komunikasi, 06(01), 99–105. https://doi.org/https://doi.org/10.26740/tc.v6i1.50009
Waters, M. (2013). Globalization (2nd Ed). Routledge, 2013. https://doi.org/https://doi.org/10.4324/9780203136478
Weintraub., A. (2010). 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. Oxford University Press, Inc.
Wirman, E. P., & Ilham, M. (2022). ARAT SABULUNGAN: STRATEGI DAN NEGOSIASI KULTURAL MINORITAS MUSLIM DI KEPULAUAN MENTAWAI. Majalah Ilmiah Tabuah: Talimat, Budaya, Agama Dan Humaniora, 25(2), 117–127. https://doi.org/https://doi.org/10.37108/tabuah.v25i2.630
Buku
Frederick, W. H. (1982). Rhoma Irama and the Dangdut Style: Aspects of Contemporary Indonesian Popular Culture. Cornell University Press. https://doi.org/https://doi.org/10.2307/3350952
Haesy, S. (1995). Semarak dangdut 50 tahun Indonesia emas. In Jakarta: Pirus Enterprise.
Harvey, P. (1996). Hybrids of Modernity Anthropology, the nation state and the universal exhibition (Taylor & F). Routledge 11 New Fetter Lane, London EC4P 4EE. https://doi.org/https://doi.org/10.4324/9780203434840
Spradley, J. P. (1980). Participant Observation. In Hancourt Brace Jovanovich Inc., Orlando, florida 32887.
Waters, M. (2013). Globalization (2nd Ed). Routledge, 2013. https://doi.org/https://doi.org/10.4324/9780203136478
Weintraub., A. (2010). 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most
Popular Music. Oxford University Press, Inc.
Internet
Reza, H. M. (2024). Denny Caknan Ambyarkan Alun-Alun Ngawi di Peluncuran Pilbup Ngawi 2024. https://ngawi.pikiran-rakyat.com/jawa-timur-ae/pr-2318186454/denny-caknan- ambyarkan-alun-alun-ngawi-di-peluncuran-pilbup-2024?page=all
sanggarrindumalam. (2024). No Title. https://www.instagram.com/p/DDbw_1BRGKI/ suarangawi.com. (2023). Denny Caknan Sukses Gelar Konser di Tanah Kelahirannya.
https://suarangawi.com/denny-caknan-sukses-gelar-konser-di-tanah-kelahirannya
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Raihan Jelang Ramadhan, Kiswanto

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
All writings in this journal are the full responsibility of the author. Tamumatra : Jurnal Seni Pertunjukan provides open access to benefit anyone with valuable information and findings. Tamumatra : Jurnal Seni Pertunjukan can be accessed free of charge at no cost, following the creative commons license. Authors who publish articles in the Tamumatra : Jurnal Seni Pertunjukan must comply with the following conditions:
The author retains the copyright and grants the right of first publication with the work licensed simultaneously under the Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) license, allowing others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
Authors may make additional separate contractual arrangements for the non-exclusive distribution of the published journal version of the work (for example, posting it to an institution or publishing it in a book), acknowledging its initial publication in this journal.
Authors are permitted and encouraged to post their work online (for example, on institutional repositories or websites) before and during the submission process, resulting in a productive exchange and earlier and more extensive citations of the published work.
All articles in this journal are the sole responsibility of the author. Tamumatra : Jurnal Seni Pertunjukan provides open access to benefit anyone with valuable information and findings. Tamumatra : Jurnal Seni Pertunjukan can be accessed and downloaded for free, following the creative commons license.
Tamumatra : Jurnal Seni Pertunjukan is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License