PROSES PENCIPTAAN KARYA TARI LAKU JANTRA

Authors

  • Riadiana Wita Januarika Institut Seni Indonesia Surakarta
  • Dwi Rahmani Institut Seni Indonesia Surakarta

DOI:

https://doi.org/10.29408/tmmt.v8i2.29417

Keywords:

arimbi, creative process, Laku Jantra dance work

Abstract

This research examines the  Laku Jantra dance work, choreographed by Riadiana Wita Januarika in 2022, embodies the values of perseverance and determination in achieving aspirations. The spirit and resilience are symbolized through the character Arimbi. Presented as a group dance with a thematic narrative, Laku Jantra is structured into four acts: the introduction, depicting inner turmoil and desire; the first act, illustrating feminine grace; the second act, envisioning the fulfillment of aspirations; and the final act, portraying anger that transitions into acceptance and self-affirmation. This study employs a qualitative research method with a descriptive approach to analyze the creative process and structure of Laku Jantra. Alma M. Hawkins' theory, as outlined in Creating Through Dance, is used to explore the stages of creation, encompassing exploration, improvisation, and composition. Additionally, Maryono’s theory from Analisa Tari is utilized to examine the verbal and non-verbal components of the dance form. The findings reveal that the structure of Laku Jantra comprises verbal elements such as dialogue, monologue, and contemplative vocals, alongside non-verbal artistic components, including theme, storyline, movements, floor patterns, costumes, music, stage design, and lighting. The choreographic movements are rooted in the traditional Surakarta-style female dance vocabulary, further developed to align with the artistic vision. This research contributes valuable insights into the creative process and structural analysis of contemporary dance, serving as a comprehensive reference for scholarly exploration in the field.

References

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Webtografi

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Diskografi

Dewati, Aleriana Mayang. “Karya Tari Cengkahing Katresnan”, Ujian Koreografi Bimbingan Karya Semester 7, 23 Desember 2021 di Teater Besar ISI Surakarta.

Narasumber

Agung Kusumo Widagdo (47 tahun), koreografer dan seniman tari. Perum Triyagan Regency Blok C1 Jl. Yudistira, Joso, Triyagan RT 1 RW 1.

Ahmad Faisal Riswanda (23 tahun), penata artistik karya tari Laku Jantra. Ambeng-ambeng Watangrejo RT 01 RW 03, Duduksampeyan, Gresik.

Aleriana Mayang Dewati (23 tahun), penari karya tari Laku Jantra. Jl. Sibela Utara 15 RT 05 RW 25, Mojosongo, Surakarta.

Dhestian Wahyu Setiaji (33 tahun), alumnus Program Studi Tari dan Penciptaan Tari ISI Surakarta, kostum desainer, pemain dan sutradara WO Sriwedari, Makam Bergolo RT 03/7, Serengan, Surakarta.

Diwasa Diranagara (50 tahun), Dalang, Perum Pondok Baru II No 49, Purbayan, Makam Haji.

Harsini (50 tahun), Sutradara dan pemain Wayang Orang Sriwedari. Jl. Gringsing no 15 Gambiran RT 02 RW 02, Cemani, Sukoharjo.

Pandu Gandang Sasongko (25 tahun), komposer dan penanggung jawab kelompok karawitan Geyasoka. Mojo Wetan RT 03 RW 03, Sragen Kulon, Sragen.

Setyaji (44 tahun), Praktisi Jurusan Pedalangan Institut Seni Indonesia Surakarta. Perum Griya Wonorejo Blok i 10. Gondangrejo, Karanganyar.

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Published

2026-06-30

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