EKSPLORASI TIMBRE VIBRAPHONE MELALUI TEKNIK BOW PADA KOMPOSISI GEMA SWARA KARYA JUAN ARIEF

Authors

  • Firstian Qq Ananda Institut Seni Indonesia Yogyakarta
  • Juanita Vannesa Livia Asnawi Institut Seni Indonesia Yogyakarta

DOI:

https://doi.org/10.29408/tmmt.v8i2.34690

Keywords:

bow technique, exploration, vibraphone

Abstract

This study aims to analyze the exploration of timbre on the vibraphone instrument through the use of bow techniques in the composition Gema Swara by Juan Arief. The background of this study encourages the exploration of timbre through bow techniques on the vibraphone. The method used is a qualitative approach with a musical analysis that focuses on playing techniques, sound character, and composition structure. Data collection was carried out through literature studies, observation of performance recordings, and analysis of the work's scores. The results show that the bow technique is able to produce a soft, long-resonating, and atmospheric timbre, thus playing an important role in forming musical texture and atmosphere. The interaction between the bow and mallet techniques creates a timbre contrast that enriches the dynamics. In addition, the use of improvisation with the slendro scale shows an integration between traditional and western musical elements. In conclusion, the exploration of timbre through bow techniques not only expands the possibilities of musical expression on the vibraphone.

Keyword: Eksploration, Vibraphone, Bow Technic.

References

Anggraini, D., Suryadi, A., & Prasetyo, H. (2024). Eksplorasi kreatif dalam proses penciptaan seni pertunjukan. Jurnal Seni dan Budaya, 12(1), 45–58.

Blades, J. (1992). Percussion instruments and their history. Bold Strummer.

Creswell, J. W. (2016). Research design: Pendekatan kualitatif, kuantitatif, dan mixed (Edisi ke-4). Pustaka Pelajar.

Denis Smalley. (1997). Spectromorphology: Explaining sound-shapes. Organised Sound, 2(2), 107–126.

Djohan. (2023). Persepsi estetika musik dan peran timbre dalam pengalaman musikal. Jurnal Psikologi Musik Indonesia, 5(2), 101–115.

Djohan, Wirayudha, G., & Mawarni, S. (2023). Alih timbre dalam musik dan persepsi estetika pendengar. Jurnal Kajian Musik, 6(2), 120–135.

Djohan. (2024). Psikologi musik. Best Publisher.

Grey, J. M. (1977). Multidimensional perceptual scaling of musical timbres. The Journal of the Acoustical Society of America, 61(5), 1270–1277.

Hendratmoko, A. W., & Nugroho, J. K. A. (2025). Eksplorasi bunyi komposisi harmonic in Ryoanji: Inovasi dalam proses kreatif. Promusika: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik, 13(1), 13–26.

Kusumawati, R., Lestari, S., & Hadi, M. (2023). Eksplorasi artistik dalam penelitian seni berbasis praktik. Jurnal Seni Rupa, 10(2), 88–102.

Kasiyan. (2024). Kreativitas dan eksplorasi dalam seni kontemporer. Jurnal Kajian Seni, 9(1), 12–25.

Martopangrawit. (1975). Pengetahuan karawitan I. ASKI Surakarta.

Prier, K. (2011). Ilmu bentuk musik. Pusat Musik Liturgi.

Schaeffer, P. (1966). Traité des objets musicaux. Paris: Éditions du Seuil.

Sukerta, P. M. (2010). Metode penyusunan karya musik. ISI Press Denpasar.

Setyawati, E., & Sari, D. P. (2025). Eksplorasi bunyi sebagai pendekatan penciptaan musik kontemporer. Jurnal Musik Nusantara, 14(1), 33–47.

Downloads

Published

2026-06-30

Issue

Section

Artikel