ANALISIS STRUKTUR DAN BENTUK LAGU “GOD, ALLAW ME (PLEASE TO PLAY MUSIC)” KARYA VOICE OF BACEPROT
DOI:
https://doi.org/10.29408/tmmt.v5i1.36907Keywords:
song form, musical structure, arrangement, Voice Of Baceprot, God Allaw MeAbstract
This study aims to describe the form and structure of “God, Allaw Me (Please) To Play Music” by Voice Of Baceprot. The study employed a qualitative method with a descriptive approach. The primary data consisted of the song audio obtained from YouTube, while secondary data included journals, books, written works, and musical scores related to music theory and formal analysis. Data were collected through observation, documentation, and literature study. The analysis involved data reduction, data presentation, and conclusion drawing and verification. The findings show that the arrangement uses a band format with the main sections of intro, verse, bridge, pre-chorus, interlude, chorus, and coda. The intro is built from a four-bar snare roll with dynamics increasing from piano to forte, followed by guitar and bass using riffs and power chords. The verse uses repetition, the bridge functions as a transition, and the pre-chorus increases instrumental complexity. The interlude highlights the interaction of drums, bass, and guitar, including slap bass and power chords. The chorus is the main section, repeating the vocal phrase four times and functioning as the climax, while the coda returns to the chorus material. The thesis identifies A minor and a fast tempo character, described as allegro and as tempo 133 in the structural analysis. The findings indicate that the song structure is shaped not only by sectional order but also by repetition, dynamics, texture, and increasing arrangement complexity.
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